Repost for the evening crowd. A skylight filter tones down a lot of the exaggerated colours I was getting in the first roll. Or it’s the lens on this camera, or a bit of both. I can’t believe how well it does with neon, and other artificial light, considering how poorly it does with low natural light and even sunsets.

Minolta Hi-Matic AF2, Fuji Superia 200.

Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200
Illustration for article titled Second roll of Superia 200
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Illustration for article titled Second roll of Superia 200

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